After searching various star systems and completing several away missions, the crew of the Enterprise realizes that the scroll points to the existence of an enormous and powerful ancient structure, known as the Unity Device, that was created by the Chodak, an unknown alien race, during the peak of their civilization. Further investigations reveal that both current-living descendants of the Chodak, as well as the Romulans, are both going after the Unity Device. (The Klingons, the Ferengi, and the Borg also make appearances in the game, although the latter only have an appearance as a Borg Cube in a later scene.)
The majority of the gameplay takes place by controlling an away team on various space stations and alien worlds, which is the pure adventure game part of the game. The away team is selected by the player and is then controlled in a point-and-click manner by selecting the desired command from the interface in the lower area of the screen. Items in the inventory can be used to interact with the environment in much the same way.
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The Exit blueprint has an arrow labeled "Exit Direction". This arrow indicates the direction the exiting teammates face when they arrive at the Exit. By default, this arrow points away from the placing Engineer. However, the Teleporter Exit can be rotated by clicking the Engineer's secondary attack button (Default key: MOUSE2) before placing the building, with the blueprint arrow rotating to indicate the changing exit direction. The Teleporter Entrance can be rotated, too, although this has no effect on gameplay (except in Mann vs. Machine where the Entrance rotation controls the player's facing when teleporting in reverse direction using the 2-Way Teleporters upgrade).
Picard dutifully informs his crew that they are to take the new Sovereign-class USS Enterprise-E to patrol the Romulan Neutral Zone, a minor threat compared to the Borg. In the Enterprise-E's observation lounge, the senior crew protest and are confused as to why the most advanced ship in the fleet is being relegated to a relatively unimportant task; the Romulans have not caused any incidents recently and would almost certainly not take the opportunity to start a conflict. Picard doesn't disagree with the protests but is compelled to follow orders. He later confides to first officer William T. Riker that the reason Starfleet is keeping the Enterprise away from the Borg is due to Picard's history with them. Riker emphatically disagrees with Starfleet's decision, saying that Picard's experience with the Borg would be a valuable asset in fighting them. They then receive word that the fleet has engaged the Borg and listen as the battle appears to go badly.
After beaming down, Picard's away team enters Cochrane's missile silo where they find the occupants dead but the prototype warpship, the Phoenix, suffering only minor damage. Picard and Data inspect the rocket but are surprised by Lily, who fires at the Enterprise officers. Impervious to bullets, however, Data intercepts the 21st century woman before she succumbs to radiation poisoning. Doctor Crusher returns to the Enterprise with Lily in her care, promising to keep her unconscious as Picard calls up to Geordi La Forge, asking the chief engineer to bring a repair crew to the silo.
As the damage control team departs the ship, engineers Porter and Eiger are left to deal with environmental difficulties that have mysteriously cropped up. One after the other, both officers crawl into a Jefferies tube, wherein they are quietly assimilated by unseen Borg stowaways. Sensing that something is wrong aboard the Enterprise, Picard returns with Data to the ship, leaving Commander Riker in charge.
Elsewhere, Picard returns to the bridge to brief his crew on the situation: the Borg plan to use the ship's navigational deflector to contact reinforcements in the Delta Quadrant which would easily conquer Earth. With no other way to gain access to the deflector dish, Picard, Worf, and the ship's helmsman, Lieutenant Hawk, don EV suits and cross the exterior hull of the ship on foot (much to Worf's dismay, as the zero-gravity makes him sick to his stomach), finding several drones constructing a beacon atop the particle emitter. Unable to simply destroy the dish due to the risk of severe damage to the ship, Picard and company work to manually release it into space. Arousing a response from the drones, the Enterprise officers battle the Borg, who are able to injure Worf and assimilate Hawk. Hawk, now assimilated, tries to kill Picard by throwing him to a wall, cracking the glass in his helmet. Just as Hawk is about to slam his foot down on Picard's helmet, Worf shoots Hawk and he flies away into space. Recovering quickly, Picard finishes his task and releases the deflector into space. Worf allows the deflector to drift away from the ship, then destroys it with his phaser rifle.
Location shooting dominated the early schedule for the Star Trek: First Contact production team. First up were scenes set in Bozeman, Montana, shot in the Titan Missile Museum outside Tucson, Arizona for a duration of four days. The production then moved to the Angeles National Forest in the San Gabriel Mountains not far from Los Angeles. Two weeks of nighttime shooting followed, with a large village constructed by Herman Zimmerman's art department to represent exterior Bozeman. Minor details in the sets included the 52-star American flag referencing an early TNG episode, "The Royale". A full-size section of the Vulcan lander was brought to this location for the film's finale. The film then moved to Los Angeles Union Station's art deco restaurant where the Dixon Hill holonovel sequence played out, including over 120 extras in period costumes and two Borg drones. Everton designed the costumes for Picard, Ruby, Sloane, and the other speaking parts, while many others were rented. (Star Trek: The Magazine Volume 1, Issue 13, p. 67)
Even more so than the previous film, the First Contact visual effects team also utilized computer-generated imagery, lending itself to sequences that required large numbers of starships. To stand up to the Borg cube alongside the new Enterprise and the old Defiant, ILM art director Alex Jaeger designed sixteen new Starfleet vessels, four of them rendered digitally and appearing in the massive opening battle sequence. The new starships included Akira-class, Saber-class, Steamrunner-class, and Norway-class vessels; the latter starship was lost after production due to a computer glitch, never to appear in Star Trek again. Also included in the melee were a Nebula-class starship, a Miranda-class vessel, and an Oberth-class science ship in its final use. As a joke, the Millennium Falcon CG model (created for the Star Wars Special Editions) was inserted into the Borg attack, though generally indistinguishable.
Akira-class (starships); Apollo 15; Appalachia, USS; Borg cube; Borg sphere; Bozeman, USS; Budapest, USS; Defiant-class; Defiant, USS; Endeavour, USS; Enterprise-E, USS; Lexington, USS; Madison, USS; Miranda-class (starships); Nebula-class (starship); Norway-class (starships); Oberth-class (starships); Phoenix; Saber-class (starships); shuttlecraft; Sovereign-class; Sovereign-type escape pod; spaceship; Steamrunner-class (starships); T'Plana-Hath; T'Plana-Hath-type; Thunderchild, USS; warp ship; Yeager, USS
His career again took off in the 1980s with "Dune," "Paris, Texas," "To Live and Die in L.A.," "Blue Velvet," "Gardens of Stone," "Tucker: The Man and His Dream" (as Howard Hughes), "Air Force One," and "The Manchurian Candidate." TV roles included "Chicago Hope," "JAG," and "Battlestar Galactica." He reteamed with Bakula as a guest star on "Star Trek: Enterprise" and "NCIS: New Orleans."
The Bitmap Brothers certainly knew how to make a cracking game, and Chaos Engine was one such example. With their usual flair for top-down mayhem, The Bitmap Brothers gave us this wonderful steampunk themed game, filled with tons of enemies, two-player action, loads of power-ups, and great sound effects with a cool sound track playing continuously in the background.
Brazil, Russia, India, China. In the early 21st century these are the 'Big Four' rapidly expanding national economies of the world. This increasingly visible acronym emphasises the growing significance of the emerging markets and economic powers, and the fact that the world is changing - in fact has already changed. It may not be long before the older economies (UK, US, etc) start to find manufacturing and low-skilled jobs returning, for the same reasons they were once moved away. The BRIC acronym is said to have been originated by Jim O'Neill, Goldman Sach's chief economist, in 2001. See also MINT.
Teleportation and travel-tubes are decades, possibly centuries, away. (Though we heard that this past May, a European research team successfully teleported a single photon, or an elementary particle, between the Canary Islands.) 2ff7e9595c